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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院笔仙3时尚世家第一季俄国人来了邪恶第三季英雄正传 英雄正傳麻辣教师 GTO (1998)柳树街鬼屋伦敦上空的鹰内衣教父 上篇我是中国人2011普通人的战争宝贝快跑2013地雷战1963巴黎皇帝七骑侠落魄总裁由内而外仿造者春暖花开（1960）女人在家执斧人蓝莓之夜欢迎来到雷克瑟姆第一季圈养双面男模之桃花期
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院笔仙3时尚世家第一季俄国人来了邪恶第三季英雄正传 英雄正傳麻辣教师 GTO (1998)柳树街鬼屋伦敦上空的鹰内衣教父 上篇我是中国人2011普通人的战争宝贝快跑2013地雷战1963巴黎皇帝七骑侠落魄总裁由内而外仿造者春暖花开（1960）女人在家执斧人蓝莓之夜欢迎来到雷克瑟姆第一季圈养双面男模之桃花期